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Philosophy and film



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I'm a little late out of the blocks on this.

Seems to me there are two distinct questions here. One is about the philosophy of film, which involves not merely questions of aesthetic value, but also issues of genre, representation, the nature of seeing in film etc etc. See Greg Currie's Image and Mind, or George Wilson's Narration in Light as instances of this, or articles in Greg's Art and Minds, or the Routledge Companion to Aesthetics, Oxford Handbook of Aesthetics, etc.

The second question is about films that encourage debate about philosophical questions (including perhaps, debates about the philosophy of film ... some Godard might be an example of the latter). About three years ago I set up a season of films at Nottingham University (originally called the Cartesian Cinema) to encourage this sort of debate. We showed, inter alia:

Pi
The Matrix
eXistenZ
Memento
Dark City
Bladerunner
Rashomon
Do The Right Thing
Possible Worlds
Wittgenstein
All of me
Crimes and Misdemeanours

John Campbell suggested we show Total Recall, but we never got around to it...the season still continues, sporadically, as Films for Thought, but no longer organised by me.

Nick



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